Poetics, Perception, Disinterestedness: An Online Notebook

Wednesday, January 28, 2009

Robert Creeley on Rhyming

[book] Was That a Real Poem or Did You Just Make It Up Yourself? (1976) by Robert Creeley:

Onward then, multiple men, women too, will go with you--boohoo. Which is a poem because I say so, it rhymes. That was a primary requisite for years and years. But so lovely when such rhyming, that congruence of sounds which occur in time with sufficient closeness, to resound, echo, and so recall, when that moves to delight and intensity, feeling the physical quality of the words' movement with a grace that distorts nothing.


The Rain from Selected Poems (1991):

All night the sound had
come back again,
and again falls
this quiet, persistent rain.

What am I to myself
that must be remembered,
insisted upon
so often? Is it

that never the ease,
even the hardness,
of rain falling
will have for me

something other than this,
something not so insistent--
am I to be locked in this
final uneasiness.

Love, if you love me,
lie next to me.
Be for me, like rain,
the getting out

of the tiredness, the fatuousness, the semi-
lust of intentional indifference.
Be wet
with a decent happiness.


More Creeley here.

Thursday, January 22, 2009

The Obama Inaugural Poem

[poem] Praise Song for the Day by Elizabeth Alexander: A Poem for Barack Obama's Presidential Inauguration

Adam Kirsch on Elizabeth Alexander's Bureaucratic Verse: Alexander has reminded us of what Angelou's, Williams's, and even Robert Frost's inauguration poems already proved: that the poet's place is not on the platform but in the crowd, that she should speak not for the people but to them.

There was an extraordinary burden of expectation attached to Alexander's poem; I don't recall Maya Angelou or Miller Williams, the poets who read at Bill Clinton's inaugurations, getting the kind of attention that Alexander received in the last few weeks. The reason, I think, is that Obama's inauguration was just the kind of event that might inspire genuine poetry: it was that rare moment when the public intersected with the private for good instead of evil. And of course, Obama himself has often been cast as a "poetic" figure, thanks to his eloquence and the appeal of his image.

Wednesday, January 14, 2009

Impatso and Punning




How many puns are in this Filipino commercial?