Adam Kirsch on Elizabeth Alexander's Bureaucratic Verse: Alexander has reminded us of what Angelou's, Williams's, and even Robert Frost's inauguration poems already proved: that the poet's place is not on the platform but in the crowd, that she should speak not for the people but to them.
There was an extraordinary burden of expectation attached to Alexander's poem; I don't recall Maya Angelou or Miller Williams, the poets who read at Bill Clinton's inaugurations, getting the kind of attention that Alexander received in the last few weeks. The reason, I think, is that Obama's inauguration was just the kind of event that might inspire genuine poetry: it was that rare moment when the public intersected with the private for good instead of evil. And of course, Obama himself has often been cast as a "poetic" figure, thanks to his eloquence and the appeal of his image. |