Poetics, Perception, Disinterestedness: An Online Notebook

Saturday, June 14, 2008

Reuven Tsur on the Heart Conceit

[old] What is Cognitive Poetics? (1982) by Reuven Tsur:

According to migratory theory, someone at the dawn of the history of literature happily 'hit' upon this heart-conceit; from this point on, the conceit migrated until it reached the Arab poets in Spain, who transmitted it to the Hebrew poets of the eleventh century in Spain, as well as to the Provençal poets, who are known to have influenced the poets of the dolce stil nuovo in Italy, who are known to have influenced English Metaphysical poetry. The geographical proximity of Provençe to Paris may account for the appearance of the conceit in Villon's poetry. This explanation is not without geographical or chronological plausibility; but it appears to be too concrete, too uneconomical, and to leave too much to chance. Above all, it does not explain how poets and readers of poetry handle novel conceits. it fails to explain why an earlier poet should be more likely to 'hit' upon a certain conceit than a later one. In addition, the above explanation is counter-intuitive from the point of view of what we seem to know about the inventiveness and ingenuity of the Metaphysical poets.


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